Naš drag gost od prije pol godine, Ivo Malec govorio je pomalo s tugom o svom životu u Francuskoj, kako se i dalje osjeća strancem nakon tih svih godina, vjerojatno i u tom leži odgovor na pitanje zašto je tako slabo poznat kod nas a ni vani nije baš jedan od tih superstarova avant garde. No ipak da je ostao ovdje, vjerojatno bi istrunuo u nekoj državnoj instituciji i nikad ne bi imali priliku slušat ovo: Njegovo najvažnije djelo Triola, snimljeno za francuski label INA, naime teško je za povjerovat da bi rafinerija dala lovu za ovo, možda da za En Face ali za ovo ipak NE.
Zato i valja sine...
Evo i još jedne zanimljive vijesti od prije godinu i pol...
Zaredale su nagrade za skladateljstvo Ivi Malecu (Zagreb 1925.), ali uglavnom u njegovom dugogodišnjem prebivalištu u Parizu. Sada mu je žiri Francuske fondacije dodijelio Međunarodnu nagradu Arthur Honegger 2009 za životno djelo. Samo mjesec dana ranije u Akademiji lijepih umjetnosti ja na javnoj svečanoj godišnjoj sjednici primio je nagradu za skladateljski rad, a treba podsjetiti da mu je proljetos dodijeljen i Zlatni Orfej za najbolji CD s djelima Epistola na stihove Marka Marulića i Arc-en-cello. Koncert s praizvedbom Epistole u Louxembourgu izravno je prenosio Hrvatski radio. Bar nešto iz rodne zemlje.
OBJAVA: 03.01.2010 / 15:12 Večernji List napisala Maja Stanetti.
Eto nešto su mu ipak priznali iako nije snimao uz potporu naftne industrije...
This is a 24-bit transcription of an amazing pair of electroacoustic works by the Croatian composer Ivo Malec, who has worked in France since 1959 and has been a longtime member of the Groupe de Recherches Musicales. The LP transcribed for this installment was released originally in the INA-GRM Collection in 1979. Like everything else I have in that collection, this is one of my most prized LPs. The works were also released by the INA on CD, but that release appears to be out of print.
The composer recommends that part 1 of Triola be listened to very, very loud. I have had good results with a level that elicits equal parts rapture and blind panic. You can then keep it at that level for the rest of the work. If your ears start bleeding during part 3, you should probably dial it down a bit. There are longish silences after each movement.
The LP transcribed for this installment is in excellent condition, on the INA-GRM's chaaracteristically excellent vinyl. There is no noticeable tracking distortion, even in the most sonically challenging passages. The LP was mastered at a high enough level that I actually got a bit of digital clipping in the loudest passages, but not enough to distract. The torrent includes a PDF file with scans of the notes in French on the LP inside cover.
Triola 1
Triola 2
Triola 3
Bizarra
Liner notes
Avant Garde Project
Zato i valja sine...
Evo i još jedne zanimljive vijesti od prije godinu i pol...
Zaredale su nagrade za skladateljstvo Ivi Malecu (Zagreb 1925.), ali uglavnom u njegovom dugogodišnjem prebivalištu u Parizu. Sada mu je žiri Francuske fondacije dodijelio Međunarodnu nagradu Arthur Honegger 2009 za životno djelo. Samo mjesec dana ranije u Akademiji lijepih umjetnosti ja na javnoj svečanoj godišnjoj sjednici primio je nagradu za skladateljski rad, a treba podsjetiti da mu je proljetos dodijeljen i Zlatni Orfej za najbolji CD s djelima Epistola na stihove Marka Marulića i Arc-en-cello. Koncert s praizvedbom Epistole u Louxembourgu izravno je prenosio Hrvatski radio. Bar nešto iz rodne zemlje.
OBJAVA: 03.01.2010 / 15:12 Večernji List napisala Maja Stanetti.
Eto nešto su mu ipak priznali iako nije snimao uz potporu naftne industrije...
This is a 24-bit transcription of an amazing pair of electroacoustic works by the Croatian composer Ivo Malec, who has worked in France since 1959 and has been a longtime member of the Groupe de Recherches Musicales. The LP transcribed for this installment was released originally in the INA-GRM Collection in 1979. Like everything else I have in that collection, this is one of my most prized LPs. The works were also released by the INA on CD, but that release appears to be out of print.
The composer recommends that part 1 of Triola be listened to very, very loud. I have had good results with a level that elicits equal parts rapture and blind panic. You can then keep it at that level for the rest of the work. If your ears start bleeding during part 3, you should probably dial it down a bit. There are longish silences after each movement.
The LP transcribed for this installment is in excellent condition, on the INA-GRM's chaaracteristically excellent vinyl. There is no noticeable tracking distortion, even in the most sonically challenging passages. The LP was mastered at a high enough level that I actually got a bit of digital clipping in the loudest passages, but not enough to distract. The torrent includes a PDF file with scans of the notes in French on the LP inside cover.
Triola 1
Triola 2
Triola 3
Bizarra
Liner notes
Avant Garde Project
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