18 January 2007

Readymade: Bold



So the clicks and cuts found ways to be more palatable to the overground. Readymade sinks right in and keeps the integrity of the IDM movement with excellent sound production and knob twiddling. Consonant, glitchy noises bounce off each other in the most thought provoking and intriguing ways. But they also manage to create some of the most appealing melodies and addictive grooves. A couple tracks even incorporate vocals that flow so well over the experimental music, it’s like they were born together that way. Hell, it even has David Sylvian on one excellent track"Sugar Fuel."He did a marvelous job and it was back in 2001 when we all believed that he'll never record again. Well, we were very wrong. Blemish anyone?
Listen to this first.
It's a hell of a record.
try+buy

15 January 2007

Ding Dong!!!



DING DONG’, LP/CD (Kitty-Yo, 2000)
I don't know much about Jeans Team except the fact that they recorded this album for the German label Kitty-Yo, and that they are the closest I heard somebody came to something we could call electro punk. I came across this album working in a music shop, and while I was in search of some quality glitch stuff. This was not glitch but was so much more. It wasn't as aggressive as Atari Teenage Riot but was so joyfull and young, so fresh. Like a celebration of youth. My favourite track is unforgettable and hopelessly catchy little tune Keine Melodien. Yo no canto melodias, yo canto 1,2,3,4. A true gem.
(Jeans Team)

find more about them on:
http://www.myspace.com/jeansteam
http://www.jeansteam.de/

14 January 2007

Cabaret Voltaire - International Language 1993



Becoming less funk and less acid house made Cabaret Voltaire able to reinvent themselves once again in a glorious fashion, and International Language is no exeption to the rule. This is ambient techno at its finest. These guys simply know how to make music, or as in case with their ex member Chris Watson, not to make music but sound. Kings!!!
http://www.badongo.com/file/1999674
(Cabaret Voltaire - International Language)

13 January 2007

Cabaret Voltaire - The Conversation




A sort of a goodbye by Kirk and Mallinder, this is, up to this date, the last album by the Cabs and is one of their finest if not thee finest of the later period. It is where they show just how great they really are. A band so far ahead of their, and our time as well, that it hurts. You'll find no other band like this.
http://www.badongo.com/file/1999839 (Cabaret Voltaire - The Conversation)

01 January 2007

The Best of 2006



I think I'm going a bit soft here but this is the best album released this year. It's Crane Wife by The Decemberists whom I didn't like that much because they sounded much alike some of the bands I wouldn't exactly call my favourites (R.E.M., The Smiths etc...)
But somwhere along the line they listened to some ELP, who also suck, but it all melted into best album of last year by far, together with TV On The Radio and The Knife.

http://hideurl.net/?r=7bl

Thanx to the original uploader!!!!

happy new year

27 December 2006

Do The Right Thing


J. Robbins needs your help!!
For those unfamiliar, J. Robbins was in Government Issue, Jawbox, Burning Airlines and Channels and has produced classic/great records by Texas is the Reason, The Promise Ring, Braid, Sleepytime Trio, Engine Down, Jets to Brazil, Jimmy Eat World, etc. etc. etc.J. Robbins son is very sick, and he is just a little baby. I am reposting messages from Rob of 108 and The Fire Still Burns...Of course you should check out those bands but this isnt about good music. This is much more important. Read on. ...

From The Fire Still Burns
Hi friends of J. Robbins, Janet Morgan and Cal Robbins: J. and Janet’s baby boy Cal was born with a serious genetic condition called Spinal Muscular Atrophy. Though there is no cure for this condition, there are lots of treatments that promise to give Cal the the best possible quality of life. Unfortunately, many of these, especially the alternative treatments, are not covered by health insurance.J. and Janet have given so much over the years to the music community we're all a part of, so Bill and I are hoping you can see in your hearts to help them out now.We've set up a website with more information and a place to make a donation. All of the money will go straight to J. and Janet to help defray their growing medical bills.Thanks for your support and feel free to send this email on to folks who might likewise be interested in helping. Take care
Kim Coletta and Bill Barbot

From Rob of 108"
J. Robbins, best known for his work in Jawbox, and Janet Morgan, gave birth to a beautiful son Callum Robbins. Callum was recently diagnosed with a genetic motor neuron disease called Type 1 SMA, or Spinal Muscular Atrophy. Simply put SMA kills kids. The disease affects the brain's ability to communicate with the voluntary muscles that are used for activities such as crawling, walking, head and neck control, breathing, and swallowing. Type 1 SMA is usually fatal; most Type 1 babies will die before their second birthday. Those infants who survive into childhood are in for a long road of occupational therapy, wheelchairs, and assistive devices. Despite years of work on its treatment and "ongoing promising research," it has no cure.I have two amazing sons that mean the world to me and I can't even imagine what J. and his family are feeling or going through. In addition to the emotional and physical tolls, the financial aspect to this situation is one that promises to get more difficult. Everyone that knows me knows that I never ask for something unless it is important and this truly is. Punk rock is not a musical genre as much as it is a community and an esteemed member of our community needs our help now.Bill and Kim, the former Jawbox members who also run DeSoto Records, have set up a fund where we can all help. The Callum Robbins Family Fund will help J. and Janet pursue every possible avenue of opportunity to help Cal out and give him the best treatments possible. I'd appeal to all of you to turn your attention to little Cal and to donate anything -- however small or large -- to his treatment fund.For more information about Cal, SMA, The Callum Robbins Family Fund, and to donate something via PayPal, please visit Cal's site here. With Love…R and 108

Here is a link to the Pitchfork Media article. All sites have a link to the paypal account where you can donate money for the cause. I am not much of a philanthropist but a number of factors have led me to donate money. J. Robbins is very important in the underground rock scene, mainly the DC area and the Dischord group. He has produced many great bands, and since I am a father too, I can't imagine what I would do if something happened to my little son, and I can only imagine that is 1% of the feelings J and his wife must be feeling over the condition of their baby .... Donate a few dollars. If not for anything then a way of saying thanks for all the albums you have recently gotten for free.
With my best wishes and love...
Bodo

26 December 2006

Into the Eyes of the Zombie King



vinyl covers

Chrome - INTO THE EYES OF THE ZOMBIE KING (1984)
_____________________________
And Then The Red Sun * You Can't Do Anything *Walking and Looking for You *Into the Eyes of the Zombie King *Trip the Switch *It Wasn't Real *Humans in the Rain *Don't Move Like That
_____________________________
DAMON EDGE lead vocals, synthesizers, TV, treatments on all instruments, cover art
REMY DEVILLA guitars and overlays
RENAUD THOREZ harmonized bass guitar
PATRICK IMBERT electronic drums and rotos
FABIENNE SHINE backing vocals

All songs written and produced by Damon Edge Except Trip the Switch, written by Damon Edge and Remy Devilla

Damon was bored of the U.S.A. He wanted change and he find it when moving to France with his wife Fabienne, of the Shakin Street fame. Trivia: The Dictators and later on Manowar guitarist Ross the Boss was their axeman!

bringing with him the Chrome entity. Helios is left in San Francisco, where he will start a solo career. The first recording of the "new" Chrome can be heard on the terrific Into The Eyes Of The Zombie King. Instrumentation and song structures became much simpler than before, giving a "purity" quality to Damon's music. Guitars are now played by french musician Remy Devilla, becoming the necessary second-half that Chrome needs. One must admit that the guitar work is amazingly basic, but that seems to fall into Damon's new vision of Chrome. They punctuates ice-rock anthems as Trip The Switch and You Can't Do Anything, while Damon brings synthesizers upfront on robotic songs as And Then The Red Sun or Humans In The Rain, where his voice gives claustrophobic tones. This is the beginning of a new era marked by coldness and catchiness.

There are many of those who question the quality of Damon Edge's Chrome. This is only to prove them wrong. Anything bearing the name Chrome is good, even the 1977 debut which is completely aside from the rest of their discography and is more Hawkwind than anything else.


cd covers

22 December 2006

Voice of Chunk


The best jazz album I own. Tarantella is truly a great song, Voice of Chunk a true masterpiece.
link:

19 December 2006

Friends with videos

i play in a band with friends who play in other bands and here are their You Tube stuff...



18 December 2006

HR - Human Rights




Volim čovjeka ali ostaviti ONO da bi se radilo OVO, a jebiga sad eeeeeej!

Those who want nothing more than Rasta-metal screech coming from the throat of Bad Brains should pass on this solo disc. Those who skanked to the reggaefied groove of H.R.'s (aka Joseph 1, Paul Hudson) so-so earlier discs on Olive Tree should like this tons...Rather than go for a standard roots/dancehall style, the accent is on a harder, Parliament-style proto-gogo with touches of soul and jazz. Granted, it lacks the insane intensity of The Brains' work, but it succeeds on subtler levels. Lyrically, there are no surprises -- plenty of peace and love vibes and rote Jah worship, but the band (Brains' Earl Hudson, drums; Kenny Dread, bass; David Byers, guitar; and Oscar Brown, Jr., keys) is tight without being tightassed, and give more than adequate support to H.R.'s croon-to-whine vocals... ~ John Dougan, Option s2_88, All Music Guide


human rights - album credits

Kenny Dread
Bass, Arranger, Coordination
H.R.
Main Performer
Human Rights
Performer
David Byers
Arranger, Remixing, Gits
Jim Ebert
Engineer
Earl Hudson
Arranger, Drums




10 December 2006

Sandoz - Every Man Got Dreaming






Cabs were not as good in their house Detroit style phase, but switching onto rave techno made them exceptional once again. Sandoz is Richard H. Kirk at techno maximum. Better by far than your average crappy famous DJ.
Listen to this. This is the real stuff.


Glenn Branca



This is a collection of Branca's work. 7 STUNNING TRACKS FROM SYMPHONIES 2, 3, 5, 6, 8, 10. Serves well as an introduction. Try it.

Nag Nag Nag





Nag nag nag is the punkiest tune Cabaret Voltaire ever recorded and is one of their finest. Since I'm a huge fan I will try and post some rare stuff I have such as some early 7˝ singles, some Richard H. Kirk 12˝ rarities, Chris Watson solo work etc.
This is an anniversary single edition with some nice remixes especially Akufen remix which is my
favourite

Rare Mark Stewart - Dream Kitchen ep



Promo singles: Mark Stewart - 'Dream Kitchen'Mute Records / June 199612": 12MUTE 130 / CDS: CDMUTE 130
12":
1. * Dream Kitchen
2. Crawl Space
3. + Simulacra (Clone 1)
CDS:
1. * Dream Kitchen
2. Crawl Space
3. + Forbidden Love (Dub)
* From Data Control.+ Remixed from Data Control.

The lead track "Dream Kitchen" is almost poppy, but the "You love objects..." refrain gives the game away - a glossy critique of commodity fetishism. Elsewhere the influence of UK soundsystems remains, with dubbed out vocals and synthesised horns. Crawl Space is more hard rocking than your average Mark Stewart, with a tad more raw sound than one would expect.

02 December 2006

Double Noise Attack: Today Is the Day + Treponem Pal



Self Titled, Released: March 1996, Amphetamine Reptile Records
Kai Piranha 1:15
Marked 4:48
Bugs/Death March 5:25
A Man Of Science 0:58
Realization 4:26
Black Iron Prison 1:57
Mountain People 2:15
Ripped Off 3:37
The Tragedy 2:53
She Is In Fear Of Death 4:11
I Love My Woman 0:26
Dot Matrix 4:28

Lineup:
Steve Austin: Guitar, Vocals, Samples
Brad Elrod: Drums
Scott Wexton : Emax and Wavestation
Produced by: Steve Austin
Engineered by: Steve Austin and Today is the Day
Recorded at: Austin Enterprise, Nashville Tennessee 1996




Aggravation, 1991, Roadrunner
Rest Is A War
What Does It Mean?
Love
Out With No Flag
Fugitive Soul
Sweet Coma
TV Matic
Radioactivity
You Got What You Deserve

Lineup:
Marco Neves
Michel Bassin
Laurent B
Stephane Cressend
Didier Serbourdin


Crack, crash, vroom, kabooom, urgh, blast! blast! blast! That is what is sounds like.

Crime and the City Sollution



Despite roots dating back as far as 1978, Crime & the City Solution did not truly emerge until 1984, coming to life in the wake of the dissolution of the seminal Birthday Party. The group was led by the evocative singer/songwriter Simon Bonney, a Melbourne, Australia native who led a series of bands under the verbose Crime name throughout the late '70s and early '80s; a longtime friend of the Birthday Party, he contacted former members Mick Harvey and Rowland S. Howard after the group's breakup, and following the addition of Howard's bassist brother Harry, the most successful and famed lineup of Crime & the City Solution was born.

There are many similarities between Crime & the City Solution and Nick Cave & The Bad Seeds other that both are damn good. If you newer listened to each maybe, just maybe, you couldn't tell which is which. But this is only at first sight, since they pretty much differ when you really start listening, and what a rewarding listen. Bride ship is my favorite, but I can tell you it is not everybody's. It all depends which album was it that got you into the band at first place. This one has a more flowing feel and it feels alright for me.



29 November 2006

Dance music from the dark


The first concert I went to after my son was born was Bauhaus at Lignano Sabbiadoro, and it was a very fine concert I tell you. Later I'll post something I recorded there, but for now my favourite compilation of dance music. I mean, the music I dance to.

28 November 2006

The Auteurs from 1996



Steve Albini was an unlikely choice for an Auteurs producer, but it all worked out very well as you will eventually hear.
My favourite british album of the year 1996 along with any of The Fall albums excluded since they are a category on their own.
The Auteurs: Luke Haines (guitar, harmonium, vocals); James Banbury (cello, Hammond B-3 organ, Korg synthesizer); Alice Readman (bass); Barney C. Rockford (drums).
Additional personnel: Marcus Broome, Eleanor Gilchrist (violin); Theresa Whipple (viola); Abigail Trundle, Ben Davis (cello); Andy Bush (French horn).
Recorded at Abbey Road Studios, London, England.

27 November 2006

Suicide - A Way of Life (remastered)


Following the double-disc reissues of Suicide's first two albums, Mute continued to slowly roll through the remainder of the duo's career. A Way of Life, produced by the Cars' Ric Ocasek and originally released in 1988 on Wax Trax!, undergoes remastering treatment from Martin Rev, and a second disc adds a recording of a London performance from December 1987. This release, along with the similarly treated reissue of 1992's Why Be Blue? (the lesser of the two), should hopefully detract from the widespread belief that the first two Suicide albums are the only ones worth owning. A seven-year gap between album number two (although plugged with some thrilling moments from Alan Vega's and Rev's solo albums) and this one didn't help, and the duo couldn't have possibly set the underground on fire as they had during the '70s and early '80s. However, any group inspired in the least by Vega and Rev would be proud to have made this. It's an update of their original sound, somewhere between the first two albums in terms of accessibility, with small traces of their adherents seeping through the cracks. The second disc adds value for fans who don't feel as if there's enough live material floating around -- several songs were being heard for the first time by the attendees. If Vega and Rev weren't as confrontational as they had been in the past, those in the crowd must've at least realized that they remained as powerful.

a way of life (expanded) - album credits
Ken Steiger Assistant Engineer
John Magnuson Assistant Engineer
Renaud Monfourny Photography
Bridget Davy Assistant Engineer
David Nobakht Design
Martin Rev Remastering, Instrumentation
Alan Vega Vocals
Joe Barbaria Engineer
Ric Ocasek Producer, Cover Photo
Suicide Main Performer

Taken from Allmusic Guide.